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Showing posts from May, 2026

Iain Bell - Medusa, at La Monnaie in Brussels

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La Monnaie, Brussels, Sunday May 17 2026 Conductor: Michiel Delanghe. Libretto and production: Lydia Steier. Sets: Flurin Borg Madsen. Costumes: Katharina Schlipf. Lighting: Elana Siberski. Medusa: Claudia Boyle. Euryale: Paula Murrihy. Stheno: Angela Denoke. Perseus: Josh Lovell. Poseidon: Konstantin Gorny. Athena: Mary Elizabeth Williams. High Priestess: Anu Komsi. Danaë: Marie-Juliette Ghazarian. Orchestra and Chorus of La Monnaie. Photos: © Simon Van Rompay   I’m going to waffle a bit at the start of this post. If you just want to know about the production or the singing and playing, skip or scroll down…’  I remember once, when I was a kid in England, there was some Beethoven on the radio; piano music, probably a concerto, and at one point, perhaps during a cadenza, Beethoven stripped the score right down to single notes played with one finger. ‘That’s not very hard,’ said my mother, drying a dish. Clearly, Beethoven needed to pull his socks up. A friend of mine, an amateu...

Cavalli - La Calisto, at the Théâtre des Champs Elysées (TCE), Paris

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Théâtre des Champs Elysées, Paris, Wednesday May 6 2026 Conductor: Sébastien Daucé. Production: Jetske Mijnssen. Sets: Julia Katharina Berndt. Choreography: Dustin Klein. Costumes: Hannah Clark. Lighting: Matthew Richardson. Calisto: Lauranne Oliva. Endimione: Paul-Antoine Bénos-Djian. Giove/Giove-Diana: Milan Siljanov. Giunone/Eternita: Anna Bonitatibus. Diana: Sun-Ly Pierce. Linfea: Zachary Wilder. Natura/Pane/Furia: Petr Nekoranec. Mercurio: Dominic Sedgwick. Destino/Satirino/Furia: Paul Figuier. Silvano/Furia: José Coca Loza. Ensemble Correspondances. Photos: Monika Ritterhaus, Laurent Guizard Dutch director Jetske Mijnssen’s production of Cavalli’s La Calisto , a work I last saw over thirty years ago (staged by Herbert Wernicke in Brussels), premiered last summer in Aix and has travelled to two or three French regional houses before arriving at the Théâtre des Champs Elysées - another example of the vitality and variety, against all odds, of opera in France’s regions. Mijnssen’s s...