Posts

Showing posts with the label Studio Marigny

Lecocq - Le Docteur Miracle

Image
Studio Marigny, Paris, Friday September 27 2109 Production, sets and costumes: Pierre Lebon. Lighting: Bertrand Killy. Le Podestat: Laurent Deleuil. Le Capitaine Silvio: David Ghilardi. Véronique, the Podestat’s wife: Laura Neumann. Laurette, the Podestat’s daughter: Makeda Monnet. Docteur Miracle’s assistant: Pierre Lebon. Piano: Martin Surot. Lecocq I was supposed to kick my new season off last Tuesday with a concert version of Giulio Cesare at the TCE in Paris, but had instead, maddeningly, to be on stage myself at work, MC-ing a management conference. At 23.30 I got a text message from my opera-going companions saying 'Désolé... superbe soirée' - 'Sorry... superb evening.' So instead, after ending the old season with Hervé's frantic  Mam'zelle Nitouche , I kicked off the new at the Studio Marigny with another hour of madcap fun from the Palazzetto Bru Zane, who are now reviving, with their usual care and attention, France's  opéra bouffe : L...

Offenbach - Les Deux Aveugles. Hervé - Le Compositeur toqué

Image
Studio Marigny, Paris, Sunday January 20 2019 Production, sets, costumes: Lola Kirchner. Lighting: Cyril Monteil. Giraffier, Séraphin: Flannan Obé. Patachon, Fignolet: Raphaël Brémard. Piano: Christophe Manien. In case anyone doesn’t already know: The vocation of the Palazzetto Bru Zane – Centre de Musique Romantique Française is the rediscovery and international promotion of the French musical heritage of the long nineteenth century (1780-1920). Its interests range from chamber music to the orchestral, sacred and operatic repertories, not forgetting the lighter genres characteristic of the ‘esprit français’ of the nineteenth century (chanson, opéra-comique, operetta). The Centre was inaugurated in 2009 and has its headquarters in a Venetian palazzo dating from 1695 which was specially restored for this purpose. [From the Bru-Zane website] Over the past few years, I’ve enjoyed rediscovering some rare French operas through Bru Zane’s recordings, so I was glad to see they wer...