We left at the interval...

La Monnaie, Brussels, Sunday December 15 2013 Conductor: Marc Minkowski. Production: Olivier Py. Sets and Costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Claudius: Vincent Le Texier. La Reine Gertrude: Sylvie Brunet-Grupposo. Hamlet: Franco Pomponi. Polonius: Till Fechner. Ophélie: Rachele Gilmore. Laërte: Rémy Mathieu. Horatio/Premier Fossoyeur: Henk Neven. Marcellus/Deuxième Fossoyeur: Gijs Van der Linden. Le Spectre du feu Roi: Jérôme Varnier. Orchestra and Chorus of La Monnaie. True to form, La Monnaie has given us, and Ambroise Thomas, a generous Christmas present, albeit not a very cheerful one of course, by doing his Hamlet (or must I call it "the Danish play"?) proud. A. Thomas Olivier Py's production was more solidly successful than his recent Alceste and Aida in Paris, with fewer directorial sillinesses (though tics there were: bare-chested demons with kinky mastiffs' heads, chalking on walls and floor, a chorus bearing banners marked " L...

Opéra Comique, Paris, Wednesday December 11 2013 Conductor: Emmanuel Krivine. Production and lighting: Georges Lavaudant. Sets and costumes: Jean-Pierre Vergier. Manfred: Pascal Rénéric. The Witch, The Phantom of Astarte: Astrid Bas. Destinies and Spirits: Anneke Luyten, Sarah Jouffroy, Olivier Dumait, Norman Patzke, Luc Bertin Hugault, Geoffroy Buffière, Cyrille Gautreau. The Abbot of St Maurice: Max Delor. Chorus: Les Eléments. La Chambre Philharmonique. It will not last, But it is well to have known it, though but once: It hath enlarged my thoughts with a new sense, And I within my tablets would note down That there is such a feeling. R. Schumann So here I am, noting down my feelings. It was the oft-mocked Marie-Aude Roux, in Le Monde , who spotted how neatly those lines from Manfred might apply to Schumann's work. "Contemporaneous with the opera Genoveva , the score rejects scenic pragmatism so as to better explore the possibilities of musical expression com...

ONP Bastille, Friday December 6 2013 Conductor: Michele Mariotti. Production and Costumes: Laurent Pelly. Sets: Chantal Thomas. Lighting: Joël Adam. Lord Gualtiero Valton: Wojtek Smilek. Sir Giorgio: Michele Pertusi. Lord Arturo Talbot: Dmitry Korchak. Sir Riccardo Forth: Mariusz Kwiecien. Sir Bruno Roberton: Luca Lombardo. Enrichetta di Francia: Andreea Soare. Elvira: Maria Agresta. Orchestra and Chorus of the Opéra National de Paris. Bellini in Père Lachaise Apart from the very occasional aria, Bellini isn't a composer I listen to at home. My experience of his complete works comes largely from live performances, some of which played their part in the eventual naming of this blog, so I can't say I know them well - only well enough to know they're not for me (a remark which will probably get me called arrogant, stupid and bitter again; that's the usual result when I say I don't admire either Bellini or Donizetti). But I'd read that I Puritani was poss...

ONP Bastille, Paris, Monday November 4 2013 Conductor: Philippe Jordan. Production: Robert Carsen. Sets: Michael Levine. Costumes: Vazul Matusz. Lighting: Robert Carsen, Peter Van Praet. Klytämnestra: Waltraud Meier. Elektra: Irene Theorin. Chrysothemis; Ricarda Merbeth. Aegisth: Kim Begley. Orest: Evgeny Nikitin. Die Aufseherin: Miranda Keys. Fünf Mägde: Anja Jung, Susanna Kreusch, Heike Wessels, Barbara Morihien, Eva Oltivanyi. Orchestra and Chorus of the Opéra National de Paris. “Sobriety” may not be the word you expect to settle on to sum up a performance of Elektra , as I did this Monday. This could explain why some critics have claimed this production was “tame”. Strauss I’m also old enough – in fact you don’t have to be all that old – to remember Dame Gywneth Jones pounding the Bastille’s cavernous space into submission as Elektra and Deborah Voigt at her absolute peak as Chrysothemis. I even remember, clearly, Voigt’s unforgettably exciting note (a B, I think it is) on “B...

La Monnaie – Bozar, Brussels, Sunday November 3 2013 Conductor: Ludovic Morlot. Soprano: Sabina Cvilak. Tenor: Mark Padmore. Baritone: Dietrich Henschel. Orchestra and Chorus of La Monnaie. Flemish Radio Chorus. Vocaal Ensemble Reflection. La Monnaie Children’s Chorus.   It's probably simplistic of me (and yet another sign of my lack of proper musical education) to imagine, when a composer decides to score for both full and chamber orchestra, that he expects the small band to make less noise than the big one. The main shortcoming of this performance of Britten's wonderful War Requiem was, to me, lack of dynamic variety. It was mostly loud to very loud, with Ludovic Morlot apparently making little effort to coax some more subtly nuanced playing from La Monnaie's players (or to cue his soloists' entries properly). As a result, tenor and baritone often seemed forced to bawl their parts and the best bits were either those that Britten undoubtedly intended to be loud - t...

ONP Bastille, Friday October 25, 2013 Conductor: Philippe Jordan. Production: Olivier Py. Sets and costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Il Re: Carlo Cigni. Amneris: Luciana D’intino. Aida: Oksana Dyka. Radamès: Marcelo Alvarez. Ramfis: Alexei Botnarciuc. Amonasro: Sergey Murzaev. Sacerdotessa: Elodie Hache. Un Messaggero: Oleksiy Palchykov. Orchestra and Chorus of the Opéra National de Paris. By the time I got round to seeing Paris's first production of Aida in half a century (not counting extravaganzas in sports arenas) it had already been booed in the house and battered by the press, so much so that I had an e-mail from a friend the morning before saying "As for Aida , you've seen such negative feedback that you'll probably enjoy it". He wasn't exactly right, but I did wonder what all the kerfuffle was about. Kerfuffle there was even last night, well into the run, by which time things have often calmed down. "C'est pire que ...

La Monnaie, Brussels, Sunday October 13 2013 Conductor: Ludovic Morlot. Production: Ivo van Hove. Sets: Jan Versweyveld. Costumes: An D’Huys. Video: Tal Yarden. Tito Vespasiano: Kurt Streit. Vitellia: Véronique Gens. Servilia: Simona Šaturová. Sesto: Anna Bonitatibus. Annio: Anna Grevelius. Publio: Alex Esposito. Orchestra and Chorus of La Monnaie. Visually, this handsome new Brussels production of Clemenza was as chic as it gets. Musically, taking its cue from the hero, perhaps, it was a model of civilised restraint. Mozart Let’s take the unrelenting chic first. The single set was a textbook display of understated, contemporary glamour. Forget bling. This was über -cool. Think Wallpaper magazine. Think designer lodges in rich resorts. Think Singapore Airlines’ flagship lounge at Changi. Think Scandinavian revival: tan carpet, sleek, teak furniture, autumn colours, burnished silks. On the right, a desk with drinks and diary. At the back, twin beds against a teak headboard, w...

ONP Bastille, Wednesday October 2 2013 Leos Janacek and his wife Conductor: Susanna Mälkki. Production: Krzysztof Warlikowski. Sets and costumes: Malgorzata Szczesniak. Video: Denis Guéguin. Lighting: Felice Ross. Emilia Marty: Ricarda Merbeth. Albert Gregor: Atilla Kiss-b. Jaroslav Prus: Vincent Le Texier. Dr Kolenaty: Jochen Schmeckenbecher. Vítek: Andreas Conrad. Krista: Andrea Hill. Janek: Ladislav Elgr. Hauk-Šendorf: Ryland Davies. Paris Opera Orchestra and Chorus. When I bought tickets for this revival of Paris's great Makropoulos Affair , I hoped that, this being the last night in the run of eight, the atmosphere might be supercharged. It wasn't and I was almost disappointed. Not by the visually stunning production, still stunning (and intelligent) though I was seeing it for the fourth time. (My previous reports date from 2007 and 2009 ). But Vincent Le Texier has lost a degree of power, Ryland Davies, though still charming as Hauk, is nearly inaudible, and the...

ONP Garnier, Wednesday September 26 2013 Conductor: Marc Minkowski. Production: Olivier Py. Sets & costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Admète: Yann Beuron. Alceste: Sophie Koch. Le Grand Prêtre d’Apollon: Jean-François Lapointe. Evandre / soli ténor: Stanislas de Barbeyrac. Un Hérault d’armes, Apollon: Florian Sempey. Hercule: Franck Ferrari. Coryphée / soli soprano: Marie-Adeline Henry. L’Oracle, Un Dieu infernal: François Lis. Soli alto: Bertrand Dazin. Chorus and Orchestra of the Musiciens du Louvre Grenoble. " Alceste: what a waste of 200 euros ". Gluck That was, I'm sorry to say, the text message I sent to a friend just after this week's performance of Alceste . I was exaggerating a bit: not about the waste, but about the price. I'd rounded it up from 195 euros. When you go to see Alceste you expect (at least until Hercule comes blustering in) to be roused by the majestic nobility of it - not bored: Olivier Py's co...

La Monnaie, Brussels, Sunday September 1 2013 Conductor: Marc Piollet. Concept, production and sets: Alain Platel. Lighting: Carlo Bourguignon. Costumes: Dorine Demuynck. Additional music: Steven Prengels. Coro Intermezzo - Teatro Real Madrid. C de la B dance company. La Monnaie orchestra. Giuseppe Verdi Messa da Requiem (Dies Irae, Tuba mirum, Agnus Dei, Libera me) Nabucco (Va pensiero) Macbeth (Patria oppressa!) La Traviata (Parigi, o cara, Preludio Atto III, Preludio Atto I) Richard Wagner Lohengrin (Vorspiel, Heil! König Heinrich!) Tannhäuser (Pilger-Chor, O du, mein holder Abendstern) Die Meistersinger von Nürnberg (Wach auf!, Vorspiel 3. Aufzug) La Monnaie’s 2013-2014 season opened, not with an opera, but with C(h)oeurs , a hybrid work commissioned by Gerard Mortier for Madrid. As my intention, with these write-ups, is to give impressions of operas, as an ordinary, amateur opera-goer, and as this was definitely not one, I’ve been wondering what to write a...

The Holburne Museum, Bath, Thursday July 18 2013 Ian Peter Bugeja: Conductor/Fortepiano. Colin Scobie: leader. Nicola Said: soprano. Clare Ghigo: mezzo-soprano. Cenk Karaferya: countertenor. Les Bougies Baroques. Mozart: Serenade N° 13 for strings in G major, Eine Kleine Nachtmusik [K. 525] Mozart: ‘Se l'augellin sen fugge' from La Finta Giardiniera [K. 196] Gluck: ‘Che farò senza Euridice?' from Orfeo ed Euridice Haydn: Symphony N° 26, Lamentatione [Hob. 1/26] Azopardi: Overture in D major [Ed. Bertil van Boer] Mozart: ‘Dal tuo gentil sembiante' from Ascanio in Alba [K. 111] Mozart: ‘Al mio ben mi veggio avanti' from Ascanio in Alba [K. 111] Gluck: 'Nel mirar solo i sembianti' and ‘Di lor ciglia un lampo' (Duet and finale) from Il Parnaso Confuso Haydn: Keyboard Concerto N° 11 in D major for fortepiano and orchestra [Hob. XVIII/11]. I see, on its website, that the Holburne Museum is "in partnership with Bath Spa University."...

La Monnaie, Brussels, Sunday June 2 2013 Conductor: Ludovic Morlot. Production: Michael Haneke. Sets: Christoph Kanter. Costumes: Moidele Bickel. Lighting: Urs Schönebaum. Fiordiligi: Annett Fritsch. Dorabella: Paola Gardina. Guglielmo: Andreas Wolf. Ferrando: Juan Francisco Gatell. Despina: Kerstin Avemo. Don Alfonso: William Shimell. Orchestra and chorus of La Monnaie. " Yes , [Mozart's characters] are overwhelmed as well as overwhelming and set challenges for one another. They go astray and end up not knowing which way to turn. They want to ‘save face’ and, to do so, lose track more and more of who they really are. It’s a lot to do with self-assertion and fear ". (Michael Haneke on La Monnaie's website.) I was at first concerned to read, in La Libre Belgique , that Michael Haneke had "chosen and imposed" the cast for this production of Così fan tutte . Stage directors do too much "imposing" of casts, forcing us to put up with voiceless wo...

Opéra Comique, Paris, Monday May 27 2013 Conductor: Alain Altinoglu. Production: Jérôme Deschamps. Choreography: Peeping Tom (Franck Chartier). Sets: Olivia Fercioni. Costumes: Vanessa Sannino. Lighting: Marie-Christine Soma. Mârouf: Jean-Sébastien Bou. Princesse Saamcheddine: Nathalie Manfrino. Le Sultan: Nicolas Courjal. Le Vizir: Franck Leguérinel. Ali: Frédéric Goncalvès. Fattoumah: Doris Lamprecht. Le Fellah ; premier marchand: Christophe Mortagne. Ahmad: Luc Berthin-Hugault. Second marchand ; premier mamelouk: Geoffroy Buffière. Le Kâdi: Olivier Déjean. Chef des marins ; ânier ; premier muezzin ; premier homme de police: Patrick Kabongo Mubenga. Second homme de police: Ronan Debois. Second muezzin: Safir Behloul. Accentus choir. Orchestre Philharmonique de Radio France.   Photo: Pierre Grosbois/Opéra Comique   Is there some unbridgeable kind of divide between French and “Anglo-Saxon” theatrical tastes? I really don’t enjoy Jérôme Deschamps “amateur theatricals” appr...

ONP Bastille, Monday May 20 2013 Conductor: Daniel Oren. Production, sets and costumes: Pier Luigi Pizzi. Lighting: Sergio Rossi. La Gioconda: Violeta Urmana. Laura Adorno: Elena Bocharova. Alvise Badoero: Orlin Anastassov. La Cieca: María José Montiel. Enzo Grimaldo: Marcelo Alvarez. Barnaba: Claudio Sgura. Paris Opera Orchestra and Chorus. Hauts-de-Seine and Paris Opera Children's Choruses. Ponchielli Lesser works benefit from greater effort. I think the Paris opera was right, once it had decided to schedule La Gioconda , to “throw voices” at it. Fortunately it found some up to the task – not a foregone conclusion. Right, also, to seek a conductor capable of persuading the orchestra to take the work seriously – not a foregone conclusion, either. And probably right, as well, to go for a fairly traditional production, rather than a rethink, without opting for a Zeffirelli-style, everything-including-the-kitchen-sink orgy of neo-Venetian ghastliness. The result was an ...

Théâtre des Champs Elysées, Paris, Wednesday May 15 2013 In concert Conductor: Eduardo López Banzo. Agrippina: Ann Hallenberg. Nerone: Vivica Genaux. Poppea: María Espada. Ottone: Carlos Mena. Claudio: Luigi De Donato. Pallante: Enrique Sánchez Ramos. Lesbo: Elías Benito. Narciso: José Hernández Pastor. Al Ayre Español. It may sound unlikely, but the little corner of the baroque music world I have access to via Facebook has been hooked, over the past few days, on the Eurovision semi-finals. This includes at least one (who admitted to watching in pyjamas in bed – probably with a beer in one hand and a bag of crisps in the other), maybe more and possibly all of those singing in Agrippina at the Champs Elysées on Wednesday. So… … here are We Left At The Interval 's votes for the Agrippina Song Contest. Händel Twelve points go to Ann Hallenberg and Vivica Genaux - Anne Hallenberg et Vivica Genaux: douze points . Just as, not so long ago, if you saw Béatrice Uria...