Happy New Year 2014

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Wagner - Lohengrin

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La Monnaie, Brussels, Sunday April 29 2018. Conductor: Alain Altinoglu. Production: Olivier Py. Sets and costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Heinrich der Vogler: Gabor Bretz. Lohengrin: Eric Cutler. Elsa von Brabant: Ingela Brimberg. Friedrich von Telramund: Andrew Foster-Williams. Ortrud: Elena Pankratova. Heerrufer: Werner Van Mechelen. Vier Brabantische Edle: Zeno Popescu, Willem Van Der Heyden, Kurt Gysen, Bertrand Duby. Edelknaben: Raphaële Green, Isabelle Jacques, Virginie Léonard, Lisa Willems. La Monnaie Orchestra and Chorus.  As a persistent opera-goer, however loudly you applaud Bieito or Warlikowski and however assiduously you seek out new works, you get used to being dismissed as a hidebound fuddy-duddy. And some directors also give the impression they think you're thick and need things spelling out. In the case of Olivier Py, this is often literally the case: his chalk bills must be huge, so often do his characters scrawl things on the walls ...
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Rameau - Les Fêtes d'Hébé, ou Les Talens Lyriques, at the Opéra Comique (Salle Favart) in Paris

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Opéra Comique, Paris, 17 December 2024 Conductor: William Christie. Production: Robert Carsen. Sets and Costumes: Gideon Davey. Lighting: Robert Carsen, Peter Van Praet. Choreography: Nicolas Paul. Video: Renaud Rubiano. Hébé/Naïade: Emmanuelle de Negri. Sapho/Iphise/Eglé: Lea Desandre. L'Amour/Le ruisseau/Une bergère: Ana Vieira Leite. Momus/Mercure: Marc Mauillon. Hymas/Tirtée: Renato Dolcini. Le ruisseau/Lycurgue: Cyril Auvity. Eurilas/Alcée: Lisandro Abadie. Thélème: Antonin Rondepierre. Le Fleuve: Matthieu Walendzik. Les Arts Florissants. Photos: Vincent Pontet William Christie turned 80 on December 19 this year. He chose, as his present to himself, to perform Rameau’s Les Fêtes d’Hébé in a new staging by Robert Carsen, at the Opéra Comique - Christie's thirteenth production there since the famous Atys of 1987. In doing so, he offered a magnificent Christmas present to us all. As this is one of Rameau’s best, but not best-known, works, I’ll begin with a little bit about ...
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