Amateur ramblings about opera and concerts. Mon opinion n'engage que moi. My ramblings on other topics are on another blog, called 'Any Other Business', listed in the menu on the left.
ONP Bastille, Paris, Monday July 8 2024. Conductor: Bertrand de Billy. Production: Lydia Steier. Sets: Etienne Pluss. Costumes: Katharina Schlipf. Lighting: Valerio Tiberi. Julia: Elza van den Heever. Licinius: Michael Spyres. La Grande Vestale: Eve-Maud Hubeaux. Cinna: Julien Behr. Le Souverain Pontife: Jean Teitgen. Le Chef des Aruspices, un consul: Floren Mbia. Orchestra and Chorus of the Opéra National de Paris. All production photos: Guergana Damianova/ONP Last year, the ever-excellent Palazzetto Bru Zane issued a new recording, under Christophe Rousset and with a strong case, of La Vestale . As it's considered a historically important work, I dutifully listened, more than once, but it didn't click at the time. Still, when it popped up in the Paris Opera's season, in a brand new production (albeit by Lydia Steier - not exactly, based on her Salome , a positive pointer), I bought tickets. I'm glad I did because, despite some misgivings I'll outline below, having
ONP Bastille, Sunday May 12 and Wednesday May 22, 2024 Conductor: Mark Wigglesworth. Production: Lydia Steier. Sets and video: Momme Hinrichs. Costumes: Andy Besuch. Lighting: Olaf Freese. Salome: Lise Davidsen. Herodes: Gerhard Siegel. Herodias: Ekaterina Gubanova. Jochanaan: Johan Reuter. Narraboth: Pavol Breslik. Page der Herodias: Katharina Magiera. Erster Jude: Matthäus Schmidlechner. Zweiter Jude: Éric Huchet. Dritter Jude: Maciej Kwaśnikowski. Vierter Jude: Tobias Westman. Fünfter Jude: Florent Mbia. Erster Nazarener: Luke Stoker. Zweiter Nazarener: Yiorgo Ioannou. Erster Soldat: Dominic Barberi. Zweiter Soldat: Bastian Thomas Kohl. Cappadocier: Alejandro Baliñas Vieites. Ein Sklave: Ilanah Lobel-Torres. Orchestra of the Opéra National de Paris. Photos: Charles Duprat/ONP I'd already seen Lydia Steier's über -icky production of Salome in 2022 ('beyond nausea,' as one French critic wrote, see my account here ), and wouldn't normally have wanted to cringe thro
Théâtre des Champs Elysées, Paris, Wednesday May 11 2022. Conductor: Philippe Jaroussky. Production: Damiano Michieletto. Choreography: Thomas Wilhelm. Sets: Paolo Fantin. Costumes: Agostino Cavalca. Lighting: Alessandro Carletti. Giulio Cesare: Gaëlle Arquez. Cleopatra: Sabine Devieilhe. Sesto: Franco Fagioli. Cornelia: Lucile Richardot. Tolomeo: Carlo Vistoli. Achilla: Francesco Salvadori. Nireno: Paul-Antoine Bénos-Djian. Curio: Adrien Fournaison. Ensemble Artaserse. Photos: Vincent Pontet I no longer have a subscription at the TCE, having decided, after several years there, it hadn't been good value for money. But an opera expert I know said he thought the cast of this Giulio Cesare was 'intriguing' and a friend who's a Händel fan wanted to see it, so along I went with him. I guess what was 'intriguing' about it was the mix of vocal stars with others already marked out as promising, and Jaroussky conducting a staged opera for the first time from the pit. T
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