Showing posts from January, 2012

Massenet - Manon

ONP Bastille, Tuesday January 10 2012
Conductor: Evelino Pido. Production: Coline Serreau. Sets: Jean-Marc Stehlé and Antoine Fontaine. Costumes: Elsa Pavanel. Manon: Natalie Dessay. Le Chevalier des Grieux: Giuseppe Filianoti. Lescaut: Franck Ferrari. Le Comte des Grieux: Paul Gay. Guillot de Morfontaine: Luca Lombardo. De Brétigny: André Heyboer. Poussette: Olivia Doray. Javotte: Carol Garcia. Rosette: Alisa Kolosova. L’Hôtelier: Christian Tréguier. Deux Gardes: Alexandre Duhamel, Ugo Rabec.

Manon massacred at Bastille.” “Unfortunately, this new Paris production is no break with (Joël’s) form: under the directorship of Nicolas Joel the house on the Seine seems more and more to be  bidding farewell to living, advanced music theatre.” “The year has got off to a bad start at the Paris Opera: this Manon (…) is indeed a total failure and was greeted with copious booing.” “This Manon, the worst production we have seen in a long time, is a disgrace to the Paris Opera.” “A hotchpotch of id…

Johann Christian Bach - Amadis de Gaule

Opéra Comique, Paris, Wednesday January 4 2012
Conductor: Jérémie Rhorer. Production: Marcel Bozonnet. Choreography: Natalie van Parys. Sets: Antoine Fontaine. Costumes: Renato Bianchi. Amadis: Philippe Do. Oriane: Hélène Guilmette. Arcabonne: Allyson McHardy. Arcalaüs: Franco Pomponi. Urgande, 1er Coryphée: Julie Fuchs. La Discorde, 2ème Coryphée: Alix Le Saux. La Haine, L’Ombre d’Ardan Canil: Peter Martinčič*. Soprano solo: Ana Dežman*. Tenor solo: Martin Sušnik*. 

* Soloists from the chorus of SNG Opera in balet, Ljubljana

“Period instruments, painted canvases, historically informed acting and choreography will all contribute to this major discovery of our repertoire,” says the Opéra Comique’s website in my translation, more accurate than their own. It would be odious indeed to make comparisons with Atys, revived in the same house last year. You might wonder, as the man on my left did, aloud, whether the Royal Opera in Versailles, then the Salle Favart in Paris, are the right places…