We left at the interval...

Théâtre des Champs Elysées, Paris, Monday October 21 2019 Conductor: Laurence Equilbey. Production: Clément Debailleul, Raphaël Navarro and Valentine Losseau (from Cie 14:20). Artistic coordination, sets and videos: Clément Debailleul. Choreography: Aragorn Boulanger. Costumes: Siegrid Petit-Imbert. Lighting: Elsa Revol. Max: Stanislas de Barbeyrac. Agathe: Johanni Van Oostrum. Ännchen: Chiara Skerath. Kaspar: Vladimir Baykov. Hermit: Christian Immler. Kuno: Thorsten Grümbel. Ottokar: Daniel Schmutzhard. Kilian: Anas Séguin. Samiel: Clément Dazin. Insula Orchestra. Accentus Chorus. It isn't often you get a chance, in Paris, to see Der Freischütz , so it's a real shame, when it comes round again at last, if it fails to live up to your hopes. In this case, the cast was excellent and the creative team's ideas had definite potential, but these weren't enough. I left the theatre thinking that with proper directing, a better orchestra and a different conductor it m...

Opéra Comique, Paris, Friday April 15 2011 Conductor: Sir John Eliot Gardiner. Production: Dan Jemmett. Sets: Dick Bird. Costumes: Sylvie Martin-Hyszka. Lighting: Arnaud Jung. Agathe: Sophie Karthäuser. Max: Andrew Kennedy. Annette: Virginie Pochon. Gaspard: Gidon Saks. Kouno: Matthew Brook. L’Ermite: Luc Bertin-Hugault. Kilian: Samuel Evans. Ottokar: Robert Davies. Samiel: Christian Pelissier. The Monteverdi Choir. Orchestre Révolutionnaire et Romantique. There are fashions in music and opera, and though we all know it well from recordings, Freischütz has become a rarity in the theatre these days, perhaps because of the supernatural elements in the plot. In over thirty years of opera-going, I had previously seen it just once, in an amusing, over-the-top Okotoberfest kind of production at the Châtelet. The Opéra Comique, which gets better and better, has brought it back in a still rarer form, the French version prepared by Berlioz, with recitatives and a ballet ( Invitation to the ...