Showing posts from December, 2016



Gluck - Iphigénie en Tauride

ONP Garnier, Monday December 19 2016

Conductor: Bertrand de Billy. Production: Krzysztof Warlikowski. Sets and Costumes: Malgorzata Szczesniak. Lighting: Felice Ross. Video: Denis Guéguin. Choreography: Claude Bardouil. Iphigénie: Véronique Gens. Oreste: Étienne Dupuis. Pylade: Stanislas de Barbeyrac. Thoas: Thomas Johannes Mayer. Diane, Première Prêtresse: Adriana Gonzalez. Deuxième Prêtresse, une Femme Grecque: Emanuela Pascu. Un Scythe, un Ministre: Tomasz Kumiega. Iphigénie (silent role): Renate Jett. Orchestra and Chorus of the Opéra National de Paris.

Iphigénie en Tauride was Krzysztof Warlikowski’s first production for the Opéra de Paris, 10 years ago, and was violently booed at the time, but I had never seen it yet. Since then, thanks to the likes of his Makropoulos Case, King Roger or even Parsifal, which he made palatable in the same way some people claim they have ways to make brussels sprouts edible, I’ve become a fan of his, so I was glad to have this chance to discover the…

Mascagni - Cavalleria Rusticana / Hindemith - Sancta Susanna

ONP Bastille, Wednesday November 30 2016

Conductor: Carlo Rizzi. Production: Mario Martone. Sets: Sergio Tramonti. Costumes: Ursula Patzak. Lighting: Pasquale Mari. Santuzza: Elīna Garanča. Turiddu: Yonghoon Lee. Lucia: Elena Zaremba. Alfio: Vitaliy Bilyy. Lola: Antoinette Dennefeld. Susanna: Anna Caterina Antonacci. Klementia: Renée Morloc. Alte Nonne: Sylvie Brunet-Grupposo. Orchestra and Chorus of the Opéra National de Paris.

Puzzled by the apparently odd pairing of Cavalleria Rusticana and Sancta Susanna, I went to the Bastille last night unsure of what to expect. The link between the two turned out to be basically the relationship between religion and sex, obvious in Sancta Susanna and made more obvious in Cavalleria Rusticana by heightening both. The crucifix, in various sizes, was a recurrent image. Director Mario Martone added in interview that both libretti refer to the heady scent of flowers, which seemed to be a bit “tiré par les cheveux”. He admitted he wasn’t keen on the …