We left at the interval...

La Monnaie, Brussels, Sunday December 18 2022 Conductor: Bassem Akiki. Production: Richard Brunel. Sets: Etienne Pluss. Costumes: Bruno de Lavenère. Lighting: Laurent Castaingt. Bastien Follavoine: Jean-Sébastien Bou. Julie Follavoine: Jodie Devos. Aristide Chouilloux: Denzil Delaere. Clémence Chouilloux: Sophie Pondjiclis. Horace Truchet: Jérôme Varnier. Toto: Tibor Ockenfels. Toto (as a child): Martin da Silva Magalhães. La Monnaie Symphony Orchestra. Photos: Jean-Louis Fernandez/La Monnaie My 2022 operatic agenda ended with  On purge bébé , Philippe Boesmans' eighth and last opera (completed after his death in 2021 by his friend Benoît Mernier, with advice from Sylvain Cambreling), at La Monnaie in Brussels: an hour and twenty minutes of sheer, scatological fun, revolving around the enfant roi Toto’s constipation (Toto, short for Hervé we are told, is, by the way, actually seven, not a toddler), a contract for 300,000 chamber pots, and of course (the vaudeville is by Feydeau,

 

Opéra Magazine 's December 2022 pick of the month in its recordings listings, with the publication's highest 'Diamond' accolade, is John Nelson's Berlioz CD pairing Les Nuits d'Eté by Michael Spyres with Harold en Italie , on Erato. 'Dazzling Berlioz,' says the reviewer (in French, of course). 'Taking up the challenge of the complete Nuits d'Eté , Michael Spyres climbs to the summits, with the complicity of John Nelson.'  On YouTube (at the time of writing, at least), the Orchestre Philharmonique de Strasbourg offers the whole CD in a playlist.  

Théâtre des Champs Elysées, Paris, Tuesday November 15 2022 Conductor: Marc Minkowski. Production and Costumes: Laurent Pelly. New dialogues: Agathe Mélinand. Sets: Chantal Thomas. Lighting: Michel Le Borgne. La Périchole: Antoinette Dennefeld. Piquillo: Stanislas de Barbeyrac. Don Andrès de Ribeira: Laurent Naouri. Le Comte Miguel de Panatellas: Rodolphe Briand. Don Pedro de Hinoyosa: Lionel Lhote. Guadalena/Manuelita: Chloé Briot. Berginella/Ninetta: Alix Le Saux. Mastrilla/Brambilla: Eléonore Pancrazi. Frasquinella: Natalie Pérez. Le vieux prisonnier/Le Marquis de Tarapote: Eddy Letexier. Le premier notaire: Mitesh Khatri. Le deuxième notaire: Jean-Philippe Fourcade. Les Musiciens du Louvre. Chorus of the Bordeaux Opera. All photos: Vincent Pontet / TCE Many people must have been as pleased as I was to see Marc Minkowski and Laurent Pelly were scheduled to pair up again, after twenty years or more (eek!), for La Périchole . Pelly is no more infallibly brilliant than any other direc

Opéra Magazine 's November pick of the month, with their top ' Diamant ' award, is Matthew Locke's Psyche , with a long cast (of 13) including the likes of Lucile Richardot and Marc Mauillon, and the Ensemble Correspondances under Sébastien Daucé, on Harmonia Mundi. 'Fascinating Psyche ,' they write. 'What joy to rediscover Matthew Locke's rare and superb Psyche (... which) reemerges in all its variety, originality and extreme richness (...) on all counts, this is now the reference recording.'

La Monnaie, Brussels, Sunday October 30 2022 Conductor: Alain Altinoglu. Production: Damiano Michieletto. Sets: Paolo Fantin. Costumes: Agostino Cavalca. Lighting: Alessandro Carletti. Die Feldmarschallin Fürstin Werdenberg: Julia Kleiter. Der Baron Ochs auf Lerchenau: Martin Winkler. Octavian: Julie Boulianne. Herr von Faninal: Dietrich Henschel. Sophie: Liv Redpath. Jungfer Marianne Leitmetzerin: Sabine Hogrefe. Valzacchi: Yves Saelens. Annina: Carole Wilson. Ein Polizeikommissar/Ein Notar: Alexander Vassiliev. Der Haushofmeister bei der Feldmarschallin/Der Haushofmeister bei Faninal: Maxime Melnik. Wirt: Denzil Delaere. Ein Sänger: Juan Francisco Gatell. Drei adelige Waisen: Annelies Kerstens, Marta Beretta, Marie Virot. Eine Modistin: Lisa Willems. Ein Tierhändler: Alain-Pierre Wingelinckx. La Monnaie Orchestra, Chorus, Choral Academy and Children's Chorus. All photos: Matthias Baus/La Monnaie My post on Paris's Salome was way too long so, paradoxical though it may be, I&#

ONP Bastille, Thursday October 27, 2022 Conductor: Simone Young. Production: Lydia Steier. Sets and video: Momme Hinrichs. Costumes: Andy Besuch. Lighting: Olaf Freese. Salome: Elza van den Heever. Herodes: John Daszak. Herodias: Karita Mattila. Jochanaan: Iain Paterson. Narraboth: Tansel Akzeybek. Page der Herodias: Katharina Magiera. Erster Jude: Matthäus Schmidlechner. Zweiter Jude: Éric Huchet. Dritter Jude: Maciej Kwaśnikowski. Vierter Jude: Mathias Vidal. Fünfter Jude: Sava Vemić. Erster Nazarener: Luke Stoker. Zweiter Nazarener: Yiorgo Ioannou. Erster Soldat: Dominic Barberi. Zweiter Soldat: Bastian Thomas Kohl. Cappadocier: Alejandro Baliñas Vieites. Ein Sklave: Marion Grange. Orchestra of the Opéra National de Paris. Photos: Agathe Poupeney/ONP My new season opened with two Strauss works: Der Rosenkavalier in Brussels on Sunday, and before that, this new production of Salome . The ONP seemed determined to court scandal (or do I just mean excite interest?) by issuing warnings

La Monnaie, Brussels, Sunday June 26 2022 Conductor: Evelino Pidò. Production: Olivier Py. Reprise and choreography: Daniel Izzo. Sets and Costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Marguerite de Valois: Lenneke Ruiten. Valentine: Karine Deshayes. Urbain: Ambroisine Bré. Raoul de Nangis: Enea Scala. Comte de Saint-Bris: Nicolas Cavallier. Comte de Nevers: Vittorio Prato. De Retz: Yoann Dubruque. Marcel: Alexander Vinogradov. Cossé: Pierre Derhet. Tavannes: Valentin Till. Thoré: Patrick Bolleire. Méru: Jean-Luc Ballestra. Chorus and Orchestra of La Monnaie. Photos: Baus/De Munt There's a passage in Evelyn Waugh's 1942 novel  Put Out More Flags that mentions the 'purely professional triumphs of the French.'* Over the ten or eleven years that have passed since I first saw this production of Les Huguenots I've tried, largely to feed my interest in 19th-century Paris and, with the help of the Palazzetto Bru Zane's revival, in the best possible conditio

ONP Garnier, Tuesday June 21 2022 Conductor: Mark Minkowski. Production and Costumes: Laurent Pelly. Sets: Chantal Thomas. Lighting: Joël Adam. Choreography: Laura Scozzi. Thespis: Mathias Vidal. Un satyre, Cithéron: Nahuel di Pierro. Momus: Marc Mauillon. Thalie, la folie: Julie Fuchs. L'amour, Clarine: Tamara Bounazou. Platée: Lawrence Brownlee. Jupiter: Jean Teitgen. Mercure: Reinoud Van Mechelen. Junon: Adriana Bignagni Lesca. Chorus of the Opéra National de Paris. Les Musiciens du Louvre. Photos: Guergana Damianova/ONP Preparing to write this post about the Paris Opera's current revival of Laurent Pelly's near-legendary production of  Platée , I was surprised not to find it already described somewhere on my blog. I know I did write it up: I still remember struggling to explain how the set, rows of theatre seats one above the other, breaks up and moulders away into the marshes as the evening progresses. But it must have been back in the days when websites sometimes ine

Opéra Comique, Paris, Wednesday May 25 2022 Conductor: Julien Leroy. Production: Valérie Lesort. Sets: Audrey Vuong. Costumes: Vanessa Sannino. Lighting: Christian Pinaud. Choreography: Yohann Têté. Puppets: Carole Allemand. La Périchole: Stéphanie d'Oustrac. Piquillo: Philippe Talbot. Don Andrès de Ribeira: Tassis Christoyannis. Don Miguel de Panatellas: Eric Huchet. Don Pedro de Hinoyosa: Lionel Peintre. First notary/Tarapote/old prisoner: Thomas Morris. Second notary: Quentin Desgeorges. Berginella, Frasquinella: Marie Lenormand. Mastrilla, Brambilla: Lucie Peyramaure. Guadalena, Manuelita: Julie Goussot. Ninetta: Julia Wischniewski. Orchestre de chambre de Paris. Les Eléments chorus. Photos: Stéfan Brion Perhaps I'm an irredeemable misery-guts. But if so, I'm not alone. Halfway through La Périchole , my neighbour turned to me: He : Je peux dire quelque chose ? (Can I say something?) Me : Ça ne décolle pas ? (It isn't taking off?) He : Je m'emmerde. (I'm b

La Monnaie at BOZAR, Brussels, Saturday May 21 2022 Conductor: Alain Altinoglu. Amfortas: Werner Van Mechelen. Titurel: Konstantin Gorny. Gurnemanz: Franz-Josef Selig. Parsifal: Julian Hubbard. Klingsor: Shenyang. Kundry: Elena Pankratova. Stimme aus der Höhe: Iris Van Wijnen. Gralsritter: Willem Van Der Heyden, Justin Hopkins. Knappen: Sheva Tehoval, Raphaële Green, Paul Curievici, Alexander Marev. Klingsors Zaubermädchen: Hendrickje Van Kerckhove, Lisa Willems, Raphaële Green, Sheva Tehoval, Lies Vandewege, Iris Van Wijnen. La Monnaie Orchestra and Chorus, La Monnaie Children's and Youth Choir. I have a difficult relationship with Parsifal , the text especially (cf my report the last time I saw it ), though I don't mind the 'Salvation Army band' music so much. I don't feel the same reverence for the work its fans do, so I was tempted to wriggle out of writing about this concert performance in Brussels, and just say 'If you love the work, I think you'd bett

ONP Bastille, Monday May 16 2022. Conductor: Semyon Bychkof. Production: Robert Carsen. Choreography: Philippe Giraudeau. Sets: Michael Levine. Costumes: Vazul Matusz. Lighting: Robert Carsen, Peter Van Praet. Elektra: Christine Goerke. Chrysothemis: Elza van den Heever. Klytämnestra: Angela Denoke. Aegisth: Gerhard Siegel. Orest: Tómas Tomasson. Der Pfleger des Orests: Philippe Rouillon. Die Vertraute der Klytämnestra: Stéphanie Loris. Die Schlepptragerin: Marianne Croux. Ein junger Diener: Lucian Krasznec. Ein alter Diener: Christian Tréguier. Die Aufseherin: Madeleine Shaw. Erste Magd: Katharina Magiera. Zweite Magd: Florence Losseau. Dritte Magd: Marie‑Luise Dressen. Vierte Magd: Sonja Šarić. Fünfte Magd: Laura Wilde. Dienerinnen: Sophie Claisse, Rocio Ruiz Cobarro, Caroline Bibas, Yasuko Arita, Daniela Entcheva, Caroline Petit. Orchestra and Chorus of the Opéra National de Paris. Photos: Emilie Brouchon/ONP Whenever, these days, I hear Strauss played competently by the Paris Oper

Théâtre des Champs Elysées, Paris, Wednesday May 11 2022. Conductor: Philippe Jaroussky. Production: Damiano Michieletto. Choreography: Thomas Wilhelm. Sets: Paolo Fantin. Costumes: Agostino Cavalca. Lighting: Alessandro Carletti. Giulio Cesare: Gaëlle Arquez. Cleopatra: Sabine Devieilhe. Sesto: Franco Fagioli. Cornelia: Lucile Richardot. Tolomeo: Carlo Vistoli. Achilla: Francesco Salvadori. Nireno: Paul-Antoine Bénos-Djian. Curio: Adrien Fournaison. Ensemble Artaserse. Photos: Vincent Pontet I no longer have a subscription at the TCE, having decided, after several years there, it hadn't been good value for money. But an opera expert I know said he thought the cast of this Giulio Cesare was 'intriguing' and a friend who's a Händel fan wanted to see it, so along I went with him. I guess what was 'intriguing' about it was the mix of vocal stars with others already  marked out as promising, and Jaroussky conducting a staged opera for the first time from the pit. T

ONP Garnier, Thursday May 5 2022 Conductor: Markus Stenz. Production: Pierre Audi. Sets and costumes: Christof Hetzer. Hamm: Frode Olsen. Clov: Leigh Melrose. Nell: Hilary Summers. Nagg: Leonardo Cortellazzi. Orchestra of the Opéra National de Paris. Photos: Sébastien Mathé/ONP As I may well have said before on this blog, I try to have one or two new or newish works each season, and find them more often rewarding than not. Despite a well-meaning friend's injunction, 'Don't go!', Kurtág's Fin de partie was no exception: I felt privileged to have seen it in Paris, in Pierre Audi's handsome, dark production, the same as at the La Scala premiere, four years ago, then in Amsterdam. It’s perhaps surprising Kurtág was persuaded to make an opera of Beckett's play, knowing both the author’s opposition to adding music to his works and the esteem the composer holds him in. But the composer's respect for and attention to the text is obvious: a chef d'oeuvre of