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Showing posts from July, 2018

Verdi - Il Trovatore

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ONP Bastille, Wednesday July 4 2018 Conductor: Maurizio Benini. Production: Àlex Ollé. Sets: Alfons Flores. Costumes: Lluc Castells. Lighting: Urs Schönebaum. Il Conte di Luna: Željko Lučić. Leonora: Sondra Radvanovsky. Azucena: Anita Rachvelishvili. Manrico: Marcelo Alvarez. Ferrando: Mika Kares. Ines: Élodie Hache. Ruiz: Yu Shao. Un vecchio Zingaro: Lucio Prete. Un Messo: Luca Sannai. Orchestra and Chorus of the Opéra National de Paris. I’d seen this production in 2016 and quite liked it at the time, the lighting especially, but the main reason for buying tickets again this season was to see and hear Anita Rachvilishvili as Azucena. It turned out she was not the only treat. The four principal voices were very distinct. Željko Lučić’s singing style is quite odd and unexpected in Verdi. It’s gruff-sounding, not at all lyrical and with a tendency sometimes to bark, sometimes to bray. Yet quite effective if you’re playing Luna as relatively old, disgruntled and rough. Anita R...

Mussorgsky - Boris Godunov (1869)

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ONP Bastille, Monday July 2 2018 Conductor: Vladimir Jurowski. Production: Ivo van Hove. Boris Godunov: Ildar Abdrazakov. Fyodor: Evdokia Malevskaya. Xenia: Ruzan Mantashyan. Nurse: Alexandra Durseneva. Prince Shuysky: Maxim Paster. Andrey Shchelkalov, Clerk of the Duma: Boris Pinkhasovich. Pimen: Ain Anger. Grigoryi Otrepiev: Dmitry Golovnin. Varlaam: Evgeny Nikitin. Missail: Peter Bronder. Innkeeper: Elena Manistina. The Yuródivïy (Innocent): Vasily Efimov. Mityukha: Mikhail Timoshenko. Police Officer: Maxim Mikhailov. A boyar, voice in the crowd: Luca Sannai. Sets and lighting: Jan Versweyveld. Costumes: An D’Huys. Video: Tal Yarden. Orchestra and Chorus of the Opéra National de Paris. Maîtrise des Hauts-de-Seine / Paris Opera Children’s Choir.  The ever-excellent ConcertoNet headlined its review of this new production of Boris at the Bastille “Un tsar et un chef” (a Czar and a conductor, only it doesn’t sound as good in English) and I can understand why. Ildar Abdrazak...