We left at the interval...

Théâtre des Champs Elysées (TCE), Paris Wednesday November 6 2025 Conductor: Jakob Lehmann. Production, sets, and costumes: Silvia Costa, assisted by Laura Ketels, Ama Tomberli, Simon Hatab, Michele Taborelli. Lighting: Marco Giusti. Faust: Benjamin Bernheim. Marguerite: Victoria Karkacheva. Méphistophélès: Christian Van Horn. Brander: Thomas Dolié. Les Siècles orchestra. Radio France chorus and children's choir. Photos: Vincent Pontet Silvia Costa has been around long enough, assisting Romeo Castellucci and directing films, plays and operas herself, to have won an artistic knighthood in France as a ‘Chevalier des Arts et des Lettres’, but this Damnation was my first experience of her work, and proved baffling. As with Shirin Neshat’s recent Aida , I’ll start by outlining the production, as its weaknesses impacted the musical side of the evening. This bald outline should also give those not present an insight into why , without preparation, I found the staging baffling, but of cou...

I was still on holiday in Greece when the latest two issues of France's Opéra Magazine arrived, so I found them in the pile of post waiting for me when I got home a couple of weeks ago. The first was marked ‘Septembre 2025’ as normal. The second, marked ‘Octobre-Novembre 2025’, announced out of the blue, in its editorial, that ‘In order to provide you with more in-depth articles, more substantial investigations and richer information, we will now be publishing every two months.’ A cheeky bit of spin, I think, from a magazine that’s recently changed hands and, so I understand, since then lost or fired most of its staff. Their ‘coup de coeur’ - i.e. their top pick - in September, with one of their special ‘Diamond’ awards, was Dido and Aeneas with Joyce DiDonato and Michael Spyres under Emelyanchev, dubbed a new ‘reference’ and ‘set to be seen as a landmark recording.’ It doesn't happen often, but their top pick in the October-November, again with one of their ‘Diamonds’, is a ...