Opéra Magazine's July 2021 pick of the month

Posted
Photos © Barbara Aumüller

Every month, France's Opéra Magazine rates new recordings (CD and video) on a scale from 1 to 5 and hands out the occasional 'Diamant' ('Diamond') award to what it considers exceptional ones, for whatever reason. This month, its 'coup de coeur', complete with a 'Diamant', is a 3-CD set of Schreker's Der ferne Klang, recorded in Frankfurt.

Sebastian Weigle conducts the Frankfurt Opera, with Magnus Baldvinsson, Barbara Zechmeister, Jennifer Holloway, Nadine Secunde... 

Opéra Magazine's reviewer regrets that there is no DVD, as Michieletto's production was 'as technically accomplished as its characterisations were analytical...' Nevertheless, this recording is a 'référence' version (the French critics love those) in the Schreker catalogue, 'A very great historical moment for the Frankfurt Opera, with Der ferne Klang's dazzling return, almost exactly one century later, to the city of its triumphant creation on August 18 1912.'

This YouTube clip is about the Frankfurt production:


This one contains an audio excerpt:



Comments

Post a Comment

Popular posts from this blog

Spontini - La Vestale, at the Bastille in Paris

Posted
Image
ONP Bastille, Paris, Monday July 8 2024. Conductor: Bertrand de Billy. Production: Lydia Steier. Sets: Etienne Pluss. Costumes: Katharina Schlipf. Lighting: Valerio Tiberi. Julia: Elza van den Heever. Licinius: Michael Spyres. La Grande Vestale: Eve-Maud Hubeaux. Cinna: Julien Behr. Le Souverain Pontife: Jean Teitgen. Le Chef des Aruspices, un consul: Floren Mbia. Orchestra and Chorus of the Opéra National de Paris. All production photos: Guergana Damianova/ONP Last year, the ever-excellent Palazzetto Bru Zane issued a new recording, under Christophe Rousset and with a strong case, of La Vestale . As it's considered a historically important work, I dutifully listened, more than once, but it didn't click at the time. Still, when it popped up in the Paris Opera's season, in a brand new production (albeit by Lydia Steier - not exactly, based on her Salome , a positive pointer), I bought tickets. I'm glad I did because, despite some misgivings I'll outline below, having...
Read more

Puccini - Turandot, at La Monnaie in Brussels

Posted
Image
La Monnaie, Brussels, Sunday June 30 2024 Conductor: Ouri Bronchti. Production and Costumes: Christophe Coppens. Sets: Christophe Coppens and I.S.M.Architecten. Lighting: Peter Van Praet. La Principessa Turandot: Ewa Vesin. L’Imperatore Altoum: Ning Liang. Timur: Michele Pertusi. Il Principe Ignoto (Calaf): Stefano La Colla. Liù: Venera Gimadieva. Ping/Un Mandarino: Leon Košavić. Pang/Il Principe di Persia: Alexander Marev. Pong: Valentin Thill. La Monnaie Symphony Orchestra, Chorus and Choral Academy, La Monnaie Children's and Youth Choirs. All photos except the general view of the set below: Matthias Baus/La Monnaie ' Giacomo Puccini died in Brussels in 1924, leaving the score of his last opera unfinished. A century on, director Christophe Coppens and conductor Ouri Bronchti reveal just how much more there is to the work than its trademark aria "Nessun dorma". Coppens sets his version of Turandot in modern-day Hong Kong, where a wealthy family is corrupted by power...
Read more

Strauss - Salome, at the Bastille in Paris

Posted
Image
ONP Bastille, Sunday May 12 and Wednesday May 22, 2024 Conductor: Mark Wigglesworth. Production: Lydia Steier. Sets and video: Momme Hinrichs. Costumes: Andy Besuch. Lighting: Olaf Freese. Salome: Lise Davidsen. Herodes: Gerhard Siegel. Herodias: Ekaterina Gubanova. Jochanaan: Johan Reuter. Narraboth: Pavol Breslik. Page der Herodias: Katharina Magiera. Erster Jude: Matthäus Schmidlechner. Zweiter Jude: Éric Huchet. Dritter Jude: Maciej Kwaśnikowski. Vierter Jude: Tobias Westman. Fünfter Jude: Florent Mbia. Erster Nazarener: Luke Stoker. Zweiter Nazarener: Yiorgo Ioannou. Erster Soldat: Dominic Barberi. Zweiter Soldat: Bastian Thomas Kohl. Cappadocier: Alejandro Baliñas Vieites. Ein Sklave: Ilanah Lobel-Torres. Orchestra of the Opéra National de Paris. Photos: Charles Duprat/ONP I'd already seen Lydia Steier's über -icky production of Salome in 2022 ('beyond nausea,' as one French critic wrote, see my account here ), and wouldn't normally have wanted to cringe thro...
Read more