Amateur ramblings about opera and concerts. Mon opinion n'engage que moi. My ramblings on other topics are on another blog, called 'Any Other Business', listed in the menu on the left.
La Monnaie, Brussels, Sunday April 29 2018. Conductor: Alain Altinoglu. Production: Olivier Py. Sets and costumes: Pierre-André Weitz. Lighting: Bertrand Killy. Heinrich der Vogler: Gabor Bretz. Lohengrin: Eric Cutler. Elsa von Brabant: Ingela Brimberg. Friedrich von Telramund: Andrew Foster-Williams. Ortrud: Elena Pankratova. Heerrufer: Werner Van Mechelen. Vier Brabantische Edle: Zeno Popescu, Willem Van Der Heyden, Kurt Gysen, Bertrand Duby. Edelknaben: Raphaële Green, Isabelle Jacques, Virginie Léonard, Lisa Willems. La Monnaie Orchestra and Chorus. As a persistent opera-goer, however loudly you applaud Bieito or Warlikowski and however assiduously you seek out new works, you get used to being dismissed as a hidebound fuddy-duddy. And some directors also give the impression they think you're thick and need things spelling out. In the case of Olivier Py, this is often literally the case: his chalk bills must be huge, so often do his characters scrawl things on the walls ...
Opéra Comique, Paris, 17 December 2024 Conductor: William Christie. Production: Robert Carsen. Sets and Costumes: Gideon Davey. Lighting: Robert Carsen, Peter Van Praet. Choreography: Nicolas Paul. Video: Renaud Rubiano. Hébé/Naïade: Emmanuelle de Negri. Sapho/Iphise/Eglé: Lea Desandre. L'Amour/Le ruisseau/Une bergère: Ana Vieira Leite. Momus/Mercure: Marc Mauillon. Hymas/Tirtée: Renato Dolcini. Le ruisseau/Lycurgue: Cyril Auvity. Eurilas/Alcée: Lisandro Abadie. Thélème: Antonin Rondepierre. Le Fleuve: Matthieu Walendzik. Les Arts Florissants. Photos: Vincent Pontet William Christie turned 80 on December 19 this year. He chose, as his present to himself, to perform Rameau’s Les Fêtes d’Hébé in a new staging by Robert Carsen, at the Opéra Comique - Christie's thirteenth production there since the famous Atys of 1987. In doing so, he offered a magnificent Christmas present to us all. As this is one of Rameau’s best, but not best-known, works, I’ll begin with a little bit about ...
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